This work â included in the Museo Reina Sofiaâs retrospective of Beatriz González curated by María Inés Rodríguez, on until September 22 nd â hangs as a backdrop to a collection that, at first glance, could be a furniture store. She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. Available for sale from Alonso Garcés Galería, Beatriz González, Ay Jerusalem, jerusalem (1969), Esmalte sobre lámina de metal, 100 × 120 cm She often thought that the pop movement was not present in her preferred medium of painting and that it wouldn't be an appropriate label for the work she was doing. Oct 27th, 2020. Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. «La política de Beatriz González». Bea González (Vhea)'s Portfolio. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. [2], Beatriz González was born in Bucaramanga, Colombia in 1938. The long title of the work is in an additional effort to reveal its humorous and a potentially slightly erotic intent. Mine was a provincial type of art without horizons, confronting the everyday: art is international." Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. The painting was painted on a sheet of metal that was then mounted on the inside of a crib that González found in the streets of Bogóta that originally belonged to a hospital. Beatriz González: A Retrospective was the first large-scale U.S. retrospective of the work of Bogotá-based artist Beatriz González (b. [5] This painting was the first of a number of paintings done by González in the 1960s in which she explored the intense violence in Colombia. [5] This work along with many of the others out of her furniture works had the intention of being a "representation of representations" not only through an effort to make universal art, but also to subvert the original function of the furniture itself. Beatriz González is a Colombian painter, associated with the Pop Art movement. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. 10 Colombian Artists Who Are Shaping Contemporary Art. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. Digital and traditional art The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Feeling that she couldn't laugh after that event, she began to explore themes of death and the drug trade as well as exploring some of Colombia's most tragic events. [11], Nací en Florencia (I was born in Florence). Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. At 81, González is not only an internationally celebrated Colombian artist but also one of the few extant representatives of the so-called “radical women” generation from Latin America. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Sep 21st, 2017. González is often associated with the Pop Art movement. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to the work of Colombian artist Beatriz González. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art â not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. Beatriz González. [3] In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González … During this time she produced a series of ink drawings on the same theme, that were tabloid photos of crimes of passion and political murders as well as advertisements for everything from bodybuilding to headache cures.[9]. Overview . cat. Artprice.com's price levels for this artist ⦠She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. It consisted of Leonardo da Vinci's Last Supper work that had been repainted onto metal sheets that were them mounted on a faux-wood dining table. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. Beatriz González was born in Bucaramanga, Colombia in 1938. Beatriz Gonzalez (Born 1936) Beatriz Gonzalez is active/lives in Columbia. In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. Although González is well regarded in Latin America as an artist and teacher, itâs a coup that Miami is the first city to host this show in the United States. View Beatriz Gonzálezâs artworks on artnet. Beatriz GONZALEZ (1938) (Colombia) is an artist born in 1938 The oldest auction result ever registered on the website for an artwork by this artist is a furniture sold in 1989, at Sotheby's, and the most recent auction result is a painting sold in 2020. "[5], She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. [10] In this case, she intentionally takes all of the shadows and duller colors that made this work more European, and animated it more in hopes of making it more uniquely Latin American. Beatriz González: A Retrospective presents more than 130 works, culled from the artist’s career from the early 1960s to now. She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). The full text of the article is here â, https://en.wikipedia.org/wiki/Beatriz_Gonzalez, Sketch for Elementary Landscapes: Fire in the Sierra, Señor presidente, qué honor estar con usted en este momento histórico. She grew up in Colombia in the 40s and 50s, during an era of … These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. Auction Records (3) Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). âBeatriz González: A Retrospective,â on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. "Meet Beatriz Gonzalez, Colombia's Queen of Pop Art | Amuse", "Artist interview: Beatriz González | Tate", "ART REVIEW; A Wry Defiance Behind Garish Colors and Tabloid Dramas", https://en.wikipedia.org/w/index.php?title=Beatriz_Gonzalez&oldid=992989157, University of Los Andes (Colombia) alumni, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, The Suicides of Sisga I, II and III, La Última Mesa, Nací en Florencia, What an Honor to Be With You at This Historic Moment, Works 1965-1997, 1998, El Museo del Barrio, documenta 14, Athens, Greece and Kassel, Germany, 2017, This page was last edited on 8 December 2020, at 05:18. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González ⦠Available for sale from Nohra Haime Gallery, Beatriz González, Viva Mexico (1982), Metal, 12 2/5 in González is often associated with the Pop Art movement. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. Artwork page for ‘The Last Table’, Beatriz González, 1970 González stood out from her contemporaries as one of the first artists in Colombia to draw inspiration from the mass media, creating dialogue between popular narratives and formal painting. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. The couple were two young farmers who were deeply in love, but in an effort to preserve the purity of their love, the man (who was suspected to be mentally insane) convinced his girlfriend to commit suicide as a way to show their religious devotion in not wanting to sully the woman's purity. González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. [3] González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. In Bucaramanga, Colombia, in 1938 by Tobias Ostrander and Mari Carmen Ramírez is international ''. Her work first furniture pieces out of her series of furniture works 1960s to Now, associated with the art! And politicians on furniture and fabric Carmen Ramírez, April 19–September 2 2019., 2019–January 20, 2020 display at the Rijksakademie van Beeldende Kunsten in Amsterdam M-19 attack. 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